Sanford-Hill Piano Series presents Petronel Malan

TBA

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Equal Opportunity Institution. 24+ hours advance notice is appreciated for accommodations.

"Formidable…dizzying…magical." These words from New York reviewer Harris Goldsmith vividly illustrate pianist Petronel Malan's uniquely captivating style. Indeed, as a multiple Grammy® nominee and gold medalist of several international piano competitions, Petronel continues to enthrall audiences worldwide.

Lauded by reviewers as an unmistakably creative force in the classical music industry, Petronel's critical acclaim culminated in the nomination of three Grammy® Awards, including "Best Instrumental Solo Album" for her debut disc "Transfigured Bach: Bach Transcriptions of Bartok, Lipatti & Friedman." As an exclusive recording artist for Hänssler Classic, "Transfigured Mozart" (2006) and "Transfigured Beethoven" (2008) followed. "Transfigured Tchaikovsky" includes the world premiere recordings of the art song transcriptions by Isaac Mikhnovsky.

Petronel maintains a full performance schedule as recitalist, orchestral soloist and chamber musician in major venues throughout the world. After her European debut in Rome in 1987, further highlights have included Carnegie Recital Hall, Théâtre du Châtelet & Salle Cortot (Paris), Mozarteum (Salzburg), Liszt Museum (Budapest), Orchestra Hall (Chicago), Alte Handelsbörse (Leipzig), Levoca (Slovakia), Bass Hall (Fort Worth), as well as the Ravinia and Gilmore International Piano Festivals. Petronel has appeared with orchestras such as the St. Petersburg State (Russia), Martinú (Czech Republic), Bucaramanga (Colombia), Batumi (Republic of Georgia), Sicilian Chamber (Italy), and several others in the US and South Africa, under the batons of Vasily Petrenko, Bernhard Gueller, Dmitry Manilov, Yoshimi Takeda, Omri Hadari, Wolfgang Bothe, James Brooks, Robert Hanson, and Fuzao Kajima.

Ms. Malan's career was launched following five gold medals in 2000 at international piano competitions throughout the United States. These included the Louise McMahon, Missouri Southern, Los Angeles Liszt "Budapest Concert" and Hilton Head International Piano Competitions. She also garnered the grand prize in the 2000 Web Concert Hall Competition and gold medals in both the Grace Welsh Piano Competition and the Entergy Young Artist Award.

Born in South Africa, Petronel began lessons with her mother at age four, continuing with Adolph Hallis, Joseph Stanford and Albie van Schalkwyk. She debuted with the Johannesburg Symphony at age ten and subsequently won all major national competitions, before moving to the United States to further her studies. Following a degree at Michigan State University, Petronel completed her graduate degrees at the University of North Texas. Her teachers included Steven de Groote, Ralph Votapek and Joseph Banowetz. She also received intensive coachings from American legend Earl Wild.

Although residing in the United States, Ms. Malan continues strong ties to her native South Africa. She received the "Rapport/City Press Prestige Award" as one of the "10 Most Inspirational Women in South Africa," and has appeared on magazine covers as well as picture-clues in crossword puzzles. Apart from a love for vintage gowns, Ms. Malan's stage wardrobe is designed by foremost South African designers. A frequent speaker and promoter for classical music in schools, music scholarships in her name are awarded annually to promising young musicians.

Concert Program

Chromatic Fantasy and Fugue, BWV 903. J.S. Bach, (1685 - 1750)

Sonata Op 27 no. 2. L. v. Beethoven (1770 - 1827)
Adagio sostenuto
Allegretto
Presto agitato

Waltz-Impromptu. Franz Liszt (1811 - 1886)


Intermission


Etudes on songs of Brahms for Piano, Op. 88 (2004). Lowell Liebermann (1961 - )
1. Must we then once more be parted/ Muss es eine Trennung geben Op. 33 no. 12
2. To a violet/ An ein Veilchen Op 49 no 2

Paraphrase on "The Lullaby". Johannes Brahms (1833 - 1897)
Paraphrase on "Vergebliches Ständchen"
Paraphrases by Eduard Schütt (1856 - 1933)

Paraphrase on Waltzes, Op. 39. Johannes Brahms
Paraphrase by Ernst v Dohnányi (1877 - 1960)